Faucett’s latest record, It Took the Shape of a Bird (Last Chance Records), is available on all platforms and was named to Pop Matters' "Top 20 Americana Albums of 2018. His fifth solo album, it’s also his most personal and heaviest. From opening track “King Snake,” it wastes no time immersing the listener into a world of murky storytelling fueled by true, though often skewed accounts, wherein Faucett’s moving, heartrending melodies breathe life into a cast of tragic and historic characters and locales: a World War II-era orphan, Louisiana gris gris girls, a biker’s funeral procession, a friend struggling with faith and addiction, and even the Mackay Bennett—the ship which recovered most of the bodies from the Titanic disaster.
Bird delves deep into the spiritual and examines the creation of art, and the artist. Its backdrops are disparate, ranging from rural Arkansas to the dust clouds of deep space. And its moments of lilt are bolder due to its darker turns.
Arkansas native William Blackart plays a lo-fi country brand of folk music. With lyrics described as “poetic and captivating,” vocals pegged as “rough and emotive” and guitar work called “hypnotic and spare” (Dakota Discography), his influences range from Townes Van Zandt to Leonard Cohen to The Clash.
Kicking off the evening, Broderick Adam's, Eddie Esler, and Daniel Davis song swap each with their own unique songwriting styles.
Music at 7:30 pm